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Posted by admin in Corruption, Corruption in Islamic Countries, CRITICAL THINKING FOR PAKISTAN, CULTURAL ASSAULT ON PAKISTAN, INDIA'S ANTI-PAKISTAN TOXIC PROPAGANDA on August 15th, 2015
14th August, Independence Day indeed! What do we have beside empty slogans today? Are we really independent?
In March this year of 2015, I got a job in an online English Newspaper. I did not give up “Together We Rise!” even then but that is beside the point. Anyhow, I was overqualified for the job but I gave my best, even working overtime. I was required to do news reporting and news-writing.
As the days went by, it was surprising to note that like other Urdu cable TV channels, our English newspaper was also very keen on sharing news on Bollywood movies, actors and actresses. I expressed my concern to the manager (who was much younger and inexperienced than me in fact) that I didn’t want to promote all that considering that I had been writing against showing of Bollywood movies in Pakistan. I also conveyed to him that India is attacking our borders since 2013 and you want to promote their cinema. Being a shallow person, he only said it was part of my duty.
That exchange of dialogue occurred towards the end of two weeks and the same evening I left the job. So my friends, are we free and independent? No, we are not. We are cultural slaves of our neighbouring Hindu country. Just turn on the TV channels and note how many TV channels are showing Indian content.
That reminds me further. Though I am narrating my own experiences but they are reflective of the general state of affairs. In 2008, I joined the newspaper THE NATION in the magazine section. I liked the job itself except the environment of workplace and the ugly politics that was going on.
I used to keep thesaurus with me on my desk while writing my stories. I would like to narrate here what happened in the initial few days. Well, the editor who was in-charge of the magazine section was standing near my desk. As I was busy, he stepped forward and said “What is that?” I said “Thesaurus”. He said “Hum tau use nai kartay” (We don’t use it). What a stupid thing to say considering use of Thesaurus is very much aligned with newspaper and magazine work.
The editor was a local Christian and though in my school we had a very nice local Christian as our English Teacher whose name was Robinson Qamar Javed, but the experience at THE NATION was totally opposite. He was an unsophisticated and uncouth person who was insecure himself due to the caliber of others. I could write a whole article how he used to play dirty politics. He himself was not a good storyteller and hence liked to attack others.
I also did some pro-Islam articles in the magazine then and the editor got further prejudiced. He knew that my writing skills were good and so he stopped editing my stories for fear that would add more glitter to my work (even though he continued editing for other members). Even my coverage of art-exhibitions was better than his.
My question is why did the management of THE NATION had to keep a prejudiced Christian as In-charge of magazine section? A newspaper such as THE NATION reflects our cultural and Islamic values, and a person in a key position in such a newspaper should not be a hater of Islam! He is currently still the editor of magazine section there at THE NATION by the way.
So my friends, I just gave you another example. We have incompetent people in key positions in our organizations and we are afraid of our Islamic values. Then are we really independent? Furthermore, most people who rise (with exceptions) in Pakistan to key positions mostly adhere to unethical ways. With this system in place, can we really except to achieve overall progress?
Let me give you more examples. Our Mohammad Ali Jinnah founded Pakistan and he founded the newspaper DAWN as well. After 9/11, DAWN has become a mouthpiece of the imperialists. Day and night it attacks the sanctity of Islam in different ways. One of its senior columnists is Nadeem F. Piracha who is almost an atheist spreading filth through his writings. So are we really independent?
THE EXPRESS TRIBUNE is not behind with its shameless practices. The newspaper falls under the INTERNATIONAL NEW YORK TIMES and it is also promoting the imperialistic agenda along with promoting decadence in society. In 2011, the paper published a 6-page cover story on the rights of homosexuals in Pakistan. Trends are not any better now. So are we really independent then?
The above gives just a brief picture of the media but the situation is not prettier in other sectors of Pakistan. The corporate sector in Pakistan is closely aligned with international standards and following them. So if a Pakistani Corporate Guru promotes those companies that are funding Israel (either directly or indirectly), then he has not learned ethics. And he does not know the true meaning of independence either!
Let us not just raise EMPTY SLOGANS of “Independence”. WE HAVE TO FIGHT THE OVERALL SYSTEM IN PAKISTAN TO ACHIEVE “TRUE INDEPENDENCE”. We cannot put the whole blame on politicians and absolve ourselves. If we consider ourselves above them in talent and general acumen, then we have greater responsibility.
THE JOURNEY HAS TO BEGIN TODAY…
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p style=”text-align: center;”>WISH YOU ALL PAKISTAN INDEPENDENCE DAY!
Posted by admin in CULTURAL ASSAULT ON PAKISTAN on December 25th, 2013
The case in Pakistan regarding the continued certification and commercial screening of films produced in the Indian Union territory has been settled. Mubashar Lucman, the Film Producers Association and the Cinema Owners Association have come to an agreement that would allow for the equal sharing of screening time between films made locally and those imported from the Union of India. This is a useful opportunity to discuss some issues regarding the commercial import and certification of Bollywood Hindi films in Pakistan.
Let us first understand what these ‘Indian’ films are. We are largely talking of films made in the Hindi language produced via a very cash-rich industry setting in Mumbai. For the rootless young people in certain metros of the Indian Union, that is much of what constitutes ‘Indian’ films. But for those who are talking in terms of greater mutual understanding via these films, one needs to realise that much of the Indian Union does not speak Hindi and produces films in their own languages. The content of such non-Hindi films represent a much greater terrain of the subcontinent than Bollywood Hindi flicks can ever aspire to. To be fair, Bollywood Hindi films never did aspire to that. Thank the gods for that, as with the money power behind Bollywood Hindi films, they might even try to define Tamil-ness or Bengali-ness through a metro-centric Hindi medium. Are they influencing people in Pakistan with an alien commercially-produced idiom? If yes, people in Pakistan better take notice.
Those who portray films as some sort of a medium to develop India-Pakistan bonhomie might also do well to look beyond Bollywood. Virulently anti-Pakistan films with a lot of ‘action’ are also a Bollywood Hindi film sub-genre. Yes, that does good business. Go find an Assamese, Bengali, Tamil, Manipuri or an Oriya film in the last 15 years that has an anti-Pakistan theme. There are none. Are these not ‘Indian’ films? What is it about the Bollywood Hindi film idiom that lends itself to making films like Gadar: Ek Prem Katha and LoC Kargil, which unabashedly dehumanise people from Pakistan? The economic muscle of Bollywood ensures that such films receive a wide audience. It is not the specific film that matters. Pakistan can choose to not allow this film or that. But it is the same set of cartels that produce most films — the ones that are anti-Pakistan and the ones that are unrelated. This industry understands only money and would not stop from producing the next commercially lucrative anti-Pakistan blockbuster. There is a market for such prejudice in India just like there is a market for anti-Hindu prejudice in Pakistan. Do people from Lahore and Karachi really need to add to the profits of an industry that sees no qualms in showing Pakistanis in a bad light?
Most Bollywood Hindi films are set in the cities of Mumbai or New Delhi, and increasingly in cities of the Western world where people from north India live and aspire to flourish. This can be Sydney, London, New York or Chicago (Dhoom 3, an action film released a few days ago and which has already grossed crores of rupees, is set largely in Chicago). Delhi and Mumbai choose to tell their stories and want people to pay for them. But Karachi is not Delhi and I am sure it has its own stories to tell, stories that are different from the stories of young partying explorers of Mumbai and Goa, stories that are not about aspirational or ‘everyday’ life of Delhi people. Despite the Zia years, one can be sure that 15 crore people have stories to tell. If the decision was left to the burgers, they might even start a juloos in support of Hollywood and Bollywood. The culturally illiterate have no investment in their own cultural milieu. That is precisely why their ‘tastes’ shouldn’t be setting agendas. Nor can they be depended on for a revitalisation of films culturally rooted in Pakistan (and not cheap Bollywood remakes).
Bollywood Hindi films represent the metro-centric and homogenised ‘idea of India’ in the mind of the new Indians — 20-40 years-old, in the top five per cent income category, aspirational migrants with Hindi and English being their near exclusive vocabulary. They are concentrated in a few cities but have the economic might to determine cultural policy. These multiplex consumers, with their moneybags, have launched a great assault on the idea of mass-films, which is why now a film’s profits are not an indication of its popularity. The Pakistani film industry is up against an economic behemoth with an agenda of its own cultural expansion. Its production, distribution and broadcasting machines are well oiled. Stupendous amounts of black money from deep pockets bankroll the ‘creative’ explosion that is Bollywood.
The twin attack of a homogenising national ideology and economic muscle has grave implications on visible public culture. The 19th Kolkata International Film Festival witnessed the extraordinary scene of Bollywood Hindi film stars being feted in a manner as though they represented some pinnacle of human achievement. It was a sad moment — underlining how limited and predictable the cultural horizon of West Bengal’s film industry had become. The lack of self-confidence showed. Film industries that do not have as much black money circulating, have lesser number of casting couches, have lesser number of ageing ‘artists’ and producers targeting young actresses, have lesser number of big crooks financing films and which do not make films in Hindi or India-English, have been relegated to second and third class status. Pakistan has the legal mechanisms to stop the damage that Bollywood has done to film industries elsewhere. It better act soon.